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Our tunes have many Fibonacci scales and in some cases golden ratio 'sine tone' scales are added at very low volume. Listen to David Serada's audible golden ratio scale, near zero distortion, only constructive wave interference. UFO experiencers use phi scaled tones as a contact medium. UFO take off sound as phi harmonics.
<p style="text-align: left;"><span style="color: #000080;">Dane Rudhyar delves into Scriabin'</span>s <a href="http://www.khaldea.com/rudhyar/mt/mt_c11.shtml" target="_blank" rel="noopener">Music of the Spheres</a> .</p>
<p style="text-align: left;"><span style="color: #333399;"><a href="http://www.khaldea.com/rudhyar/mt/mt_c6.shtml" target="_blank" rel="noopener">Dan Rudhyar</a> reveals "The physical sound is the repercussion in matter of the inaudible Sound(the current of will through the nerves), just as light and color are the reflections of solar rays striking the atmosphere or a material object. </span><span style="color: #333399;">Descending chants are intoned by Navajo medicine men for healing. It seems therefore that the traditional procedure</span> <span style="color: #333399;">of magical tone production is to start with an explosive release of energy, perhaps to bring a superphysical power down into physical manifestation.
<p style="text-align: left;"><span style="color: #333399;">Rudhyar again: </span><span style="color: #800080;">Two Concepts of Musical Space</span><span style="color: #333399;">
There are two fundamental ways of thinking of space: as an empty container in which a near infinity of entities whirl, moved by a variety of conflicting forces — and space as fullness, a pleroma of being. This fullness of spaces focuses the near infinity of its aspects through a myriad of entities, each of which reveals one of these aspects. I, an individualized person, am one of these aspects of the universal whole, so are you, and so is every other being. In every unit, the whole becomes differently conscious of itself. The consciousness of the whole should not be considered the sum of the consciousnesses of the myriad beings that are merely its parts, because essentially no entities can be separate as parts. All these entities are the whole itself, defining in a multiplicity of ways the whole's nondimensional and non-numeratable wholeness of being.</span></p>
Tom at Montalk: Harmony is Transcendental
Pure harmony, is timeless and bodiless. The ratio between two frequencies is a dimensionless constant. It is independent of time, space, dimension, and scale. It doesn’t matter whether the frequencies are low or high, whether the vibration takes place in air, water, or aether. A ratio is a ratio regardless of these variables. Even on the surface of a black hole where space has contracted to zero and time to infinity, ratio remains intact.
Thus harmony and its associated feelings are transcendental; they exist beyond space and time. That is how harmony can reach upward through the levels of existence and stimulate the higher half of the soul, namely the astral body, which unlike the etheric body is independent of linear time and space.
Rich Merrick's music theory explains golden ratio & Fibonacci intervals, above, a couple of plates from his excellent PDF, Interference Theory.
Field recording today is growing in popularity, both from audiences seeking more diverse listening experiences and by artists looking for environmental sources as compositional tools. Affordable music technology has made the recording process more accessible and the results infinitely manipulatable
School music teacher LaDonna Smith: "Indeed, there has existed for the last 30 years a movement of music, called free improvisation, which is based on the operation of psychic automatism and marks no necessary association with given musical styles, or either free-association with any and all musical styles… It is an act of creation from the point of no pre-conception, utilizing what instruments or tools are at hand. Indeed, it has lead to a proliferation of the invention of new musical instruments, ranging from technological advances to primitive instruments of homemade origin. It is a music that doesn’t necessarily require musical training! It is a music that can be primarily recreational. Or, the practice of improvisation, as well, may assume the form of a high art; performed in public places for an informed audience ready for a "music of the moment", a music which is both composed and performed by the same being, a music which is the direct expression of the performer".
We discovered reflective bilateral keyboard symmetry by seeking balance at the piano, using visual cues for right and left hand. Similar in effect to Lou Debourbon's Octayoga. This developed over many years into a number of 'axes' of reflective symmetry in compositions (similar to those of Einojuhani Rautavaara).
Further we sought to develop sacred geometries in scale construction, specifically bilateral Fibonacci symmetries. Fibonacci cyclic layering and bar lengths allows the music to self organize in a natural way, this with the unique tone combinations greatly extends 'shelf life'.
Music of tree trunks